A 100 seconds twilight exposure of a Southern California beach shot with a BW ND110 filter.

I haven’t been out on the local beaches as often as I did in the past years. I really missed shooting these shoreline twilight scenes.

Last Friday, I left work early and went straight to the beach. During my rush, I left my remote cable release and Lee filter holder at home. I ended up hand-holding a Lee GND filter with one hand and pressing down on the shutter release button for 100 seconds with the other hand. I wanted to make a longer exposure, but had to cut my exposure time short because I knew that I couldn’t make a sharp enough exposure without my remote cable release. I underexposed this shot by about 1 stop. Thanks to RAW and post processing works, I am able to salvage this shot.

Trying to find time to post … this was shot last December. I haven’t been able to do much sea-side photography lately. This was a two minutes exposure.

A 110 second winter twilight exposure on a Southern California beach.

This long exposure shows the cloud movements and the small pebbles rolling around the sand with the tides.

I shot this over a month ago during my experiment with ND110 filter. I also used a 2 stop hard-edge GND filter on this shot. The BW ND110 added too much saturation to my long exposures. The sky was colorful, but not that intense. The actual scene was much darker. I thought about toning down the colors, but decided to leave it. When I get a chance, I’ll post another version shot without the ND110 filter.

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[Edited 3/1/2010]

After the above long exposure was recorded, I removed the ND110 filter and took a 1/6 second exposure of the same scene at the same aperture (F16) and ISO (200). These two images were shot about 3 minutes apart (counting the 2 minutes exposure time for the first shot). Both raw exposures were converted to JPGs using identical steps.

This is a candid shot of a girl walking her dog on a Southern California beach during a beautiful summer sunset. This photo was taken on the same day as Broken Kelp. This image is a square crop from a single exposure.

Wanting to get some cardio works done, I took my mountain bike out on my favorite trail. At the end of my ride, I caught this spectacular sunset on the bluffs overlooking the Pacific ocean.

Getting the final image required a little works. The setting sun was still too bright and the right side of the frame was in dark shadows. To balance out the extreme contrasts, I ended up stacking two GND filters (3 stops + 2 stops). During post processing, a digital blend and a little dodging were done to bring out some colors on the bluffs and to lighten the upper sky. This is a vertorama composite from two horizontal shots.

The world breaks everyone, and afterward, some are strong at the broken places. — Ernest Hemingway

As I mentioned in my previous post about a twilight surfer, I lined up my tripod to make a vertorama, and this image was what I had in mind. I rushed the last shot out because I did not have time to finish processing this image.

I’ve been waiting for beautiful skies to return to our local beach. Tonight, I was lucky enough to capture this classic Southern California summer lifestyle. At the end of the day, there is nothing better than breathing the fresh salty air, feeling the cool water, and watching those magical clouds getting lit up by the setting sun. Life is pretty darn beautiful if one chooses to experience it … as the locals say, it’s chillaxing.

This image was not what I had in mind when I started shooting. I lined up my camera to shoot a few long exposures to create a vertorama, but when I saw this surfer in my frame, I flipped all my settings to shoot a single frame with a faster exposure time, hoping to catch him before he disappeared into the waves. I wished I had time to frame the surfer a little further into the scene, but for a candid shot, I’m quite contented with how it turned out.

Another older shot from my 2007 archive … perhaps you’ve seen dreamscape? This was shot about a minute after dreamscape.